December
25th
Part
1 of Dec 25th
The Three Magi
In connection with the
birth of the Saviour, and as a pendant to the notice
under Twelfth
Day, or the Epiphany of the observances
commemorative of the visit of the Wise Men of the East
to Bethlehem, we shall here
introduce some further particulars of the ideas
current in medieval times on the subject of these
celebrated personages.
The legend of the Wise
Men of the East, or, as they are styled in the
original Greek of St. Matthew's gospel, Μ
λσι
(the Magi), who visited the infant Saviour with precious
offerings, became, under monkish influence, one of the
most popular during the middle ages, and was told with
increased and elaborated perspicuity as time advanced.
The Scripture nowhere
informs us that; these individuals were kings, or
their number restricted to three. The legend converts
the Magi into kings, gives their names, and a minute
account of their stature and the nature of their
gifts. Melchior (we are thus told) was king of Nubia,
the smallest man of the triad, and he gave the Savior
a gift of gold. Balthazar was king of Chaldea, and he
offered incense; he was a man of ordinary stature. But
the third, Jasper, king of Tarshish, was of high
stature, 'a black Ethiope,' and he gave myrrh. All
came with 'many rich ornaments belonging to king's
array, and also with mules, camels, and horses loaded
with great treasure, and with multitudes of people, 'to
do homage to the Saviour, 'then a little childe of
xiii dayes olde.'
The offering of
the Magi
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The barbaric pomp
involved in this legend made it a favourite with
artists during the middle ages. Our engraving is a
copy from a circular plate of silver, chased in
high-relief, and partly gilt, which is supposed to
have formed the centre of a morse, or large brooch,
used to fasten the decorated cope of an ecclesiastic
in the latter part of the fourteenth century. The
subject has been frequently depicted by the artists
subsequent to this period. Van Eyck, Durer, and the
German schools were particularly fond of the theme�the
latest and most striking work being that by Rubens,
who reveled in such pompous displays. The artists of
the Low Countries were, probably, also biased by the
fact, that the
cathedral of Cologne held the shrine in which the
bodies of the Magi were said to be deposited, and to
which the faithful made many pilgrimages, greatly to
the emolument of the city, a result which induced the
worthy burghers to distinguish their shield of arms by
three crowns only, and to designate the Magi as 'the
three kings of Cologne.'
It was to the
Empress Helena, mother of
Constantine the Great, that the religious world was
indebted for the discovery of the place of burial of
these kings in the far east. She removed their bodies
to Constantinople, where they remained in the church
of St. Sophia, until the reign of the Emperor Emanuel,
who allowed Eustorgius,
bishop of Milan, to transfer them to his cathedral. In
1164, when the Emperor Frederick conquered Milan, he
gave these treasured relics to Raynuldus, archbishop
of Cologne, who removed them to the latter city.
His successor,
Philip von Heinsberg,
placed them in a magnificent reliquary, enriched with
gems and enamels, still remaining in its marble shrine
in the cathedral, one of the chief wonders of the
noble pile, and the principal 'sight' in Cologne. A
heavy fee is exacted for opening the doors of the
chapel, which is then lighted with lamps, producing a
dazzling effect on the mass of gilded and jeweled
sculpture, in the centre of which may be seen the
three skulls, reputed to be those of the Magi. These
relics are enveloped in velvet, and decorated with
embroidery and jewels, so that the upper part of each
skull only is seen, and the hollow eyes which, as the
faithful believe, once rested on the Savior.
The popular belief in the great
power of intercession
and protection possessed by the Magi, as departed
saints, was widely spread in the middle ages. Any
article that had touched these skulls was believed to
have the power of preventing accidents to the bearer
while traveling, as well as to counteract sorcery, and
guard against sudden death. Their names were also used
as a charm, and were inscribed upon girdles, garters,
and finger- rings. We engrave two specimens of such
rings, both works of the fourteenth century. The upper
one is of silver, with the names of the Magi engraved
upon it; the lower one is of lead simply cast in a
mould, and sold cheap for the use of the commonalty.
They were regarded as particularly efficacious in the
case of cramp. Traces of this superstition still
linger in the curative properties popularly ascribed
to certain rings.
Bishop Patrick, in his
Reflections on the Devotions of the Roman Church,
1674, asks with assumed naivete how these names of the
three Wise Men�Melchior, Balthazar, and Jasper�are to
be of service, 'when another tradition says they were
Apellius, Amerus, and Damascus; a third, that they
were Megalath, Galgalath, and Sarasin; and a fourth
calls them Ator, Sator, and Peratoras; which last I
should choose (in this uncertainty) as having the more
kingly sound.'
CHRISTMAS CHARITIES
We have already, in
commenting on Christmas day and its observances,
remarked on the hallowed feelings of affection and
good will which are generally called forth at the
celebration of this anniversary. Quarrels are composed
and forgotten, old friendships are renewed and
confirmed, and a universal spirit of charity and
forgiveness evoked. Nor is this charity merely
confined to acts of kindness and generosity among
equals; the poor and destitute experience the bounty
of their richer neighbors, and are enabled like them
to enjoy themselves at the Christmas season. From the
Queen downwards, all classes of society contribute
their mites to relieve the necessities and increase
the comforts of the poor, both as regards food and
raiment. Even in the workhouses-those abodes of
short commons and little ease�the authorities, for
once in the year, become liberal in their
housekeeping, and treat the inmates on Christmas day
to a substantial dinner of roast beef and
plum pudding.
It is quite enlivening
to read the account in the daily papers, a morning or
two afterwards, of the fare with which the inhabitants
of the various workhouses in London and elsewhere
were regaled on Christmas day, a detailed chronicle
being furnished both of the quality of the treat and
the quantity supplied to each individual. Beggars,
too, have a claim on our charity at this season, mange
all maxims of political economy, and must not be
turned from our doors unrelieved. They may, at least,
have their dole of bread and meat; and to whatever bad
uses they may possibly turn our bounty, it is not
probable that the deed will ever be entered to our
discredit in the books of the Recording Angel. Apropos
of these sentiments, we introduce the following
monitory lines by a well known author and artist:
SCATTER YOUR CRUMBS
BY
ALFRED CROWQUILL
Amidst
the freezing sleet and snow,
The timid robin comes;
In pity drive him not away,
But scatter out your crumbs.
And leave your door upon the latch
For whosoever comes;
The poorer they, more welcome give,
And scatter out your crumbs.
All have to spare, none are too poor,
When want with winter comes;
The loaf is never all your own,
Then scatter out the crumbs.
Soon winter falls upon your life,
The day of reckoning comes:
Against your sins, by high decree,
Are weighed those scattered crumbs.
In olden
times, it was customary to extend the charities of
Christmas and the New Year to the lower animals. Burns
refers to this practice in 'The Auld Farmer's
Address to his Mare,' when presenting her on
New Year's morning with an extra feed of corn:
A guid
New-year, I wish thee, Maggie!
Hae, there's a ripp to thy auld baggie!'
The
great-grandfather of the writer small proprietor in
the Carse of Falkirk, in Scotland, and an
Episcopalian�used regularly himself, every
Christmas morning, to carry a special supply of fodder
to each individual animal in his stable and cow house.
The old gentleman was wont to say, that this was a
morning, of all others in the year, when man and beast
ought alike to have occasion to rejoice.
CHRISTMAS DECORATIONS
The decking of churches,
houses, and shops with evergreens at Christmas,
springs from a period far anterior to the revelation
of Christianity, and seems approximately to be derived
from the custom prevalent during the Saturnalia of the
inhabitants of Rome ornamenting their temples and
dwellings with green boughs. From this latter
circumstance, we find several early ecclesiastical
councils prohibiting the members of the church to
imitate the pagans in thus ornamenting their houses.
But in process of time, the pagan custom was like
others of a similar origin, introduced into and
incorporated with the ceremonies of the church itself.
The sanction of our Saviour, likewise, came to be
pleaded for the practice, he having entered Jerusalem
in triumph amid the shouts of the people, who strewed
palm branches in his way.
It is evident that the
use of flowers and green boughs as a means of
decoration, is almost instinctive in human nature; and
we accordingly find scarcely any nation, civilized or
savage, with which it has not become more or less
familiar. The Jews employed it in their Feast of
Tabernacles, in the month of September; the ancient
Druids and other Celtic nations hung up the mistletoe
and green branches of different kinds over their
doors, to propitiate the woodland sprites; and a
similar usage prevailed, as we have seen, in Rome. In
short, the feeling thus so universally exhibited, is
one of natural religion, and therefore not to be
traced exclusively to any particular creed or form of
worship.
Stow,
that invaluable chronicler, informs us in his
Survey of London, that:
'against the feast of Christmas every man's house, as
also their parish churches, were decked with holme
[the evergreen oak], ivy, bayes, and whatsoever the
season of the year afforded to be green. The conduits
and standards in the streets were likewise garnished:
among the which I read, that in the year 1444, by
tempest of thunder and lightning, towards the morning
of Candlemas-day, at the Leadenhall, in Cornhill a
standard of tree, being set up in the midst of the
pavement, fast in the ground, nailed full of holme and
ivie, for disport of Christmas to the people, was
tome up and cast downe by the malignant spirit (as was
thought), and the stones of the pavement all about
were cast in the streets, and into divers houses, so
that the people were sore aghast at the great tempest'
The
favorite plants for church
decoration at
Christmas are holly, bay, rosemary, and laurel.
Ivy is rather objectionable, from its associations,
having anciently been sacred to Bacchus, and employed
largely in the orgies celebrated in honour of the god
of wine. Cypress, we are informed, has been sometimes
used, but its funereal relations render it rather out
of place at a festive season like Christmas. One
plant, in special, is excluded �the mystic
mistletoe,
which, from its antecedents, would be regarded as
about as inappropriate to the interior of a church, as
the celebration of the old Druidical rites within the
sacred building. A solitary exception to this
universal exclusion, is mentioned by
Dr. Stukeley, who
says that it was one time customary to carry a branch
of mistletoe, in procession to
the high altar of York Cathedral, and thereafter
proclaim a general indulgence and pardon of sins at
the gates of the city. 'We cannot help suspecting that
this instance recorded by Stukeley, is to be referred
to one of the burlesques on the services of the
church, which, under the leadership of the Boy-bishop,
or the Lord of Misrule, formed so favourite a
Christmas pastime of the populace in bygone times.
A quaint old writer thus spiritualizes the practice of Christmas decorations.
'So our churches and 100 houses decked with bayes
and rosemary, holly and ivy, and other plants which
are always green, winter and summer, signify and put
us in mind of His Deity, that the child that now was
born was God and man, who should spring up like a
tender plant, should always be green and flourishing,
and live for evermore.'
Festive carols, we are
informed, used to be chanted at Christmas in praise of
the evergreens, so extensively used at that season.
The following is a specimen:
Holly
Here
comes holly that is so gent,
To please all men is his intent.
Allelujah!
Whosoever against holly do cry,
In a rope shall be hung full high.
Allelujah!
Whosoever against holly do sing,
He may weep and his hands wring,
Allelnjah!
Ivy
Ivy is
soft and meek of speech,
Against all bale she is bliss,
Well is he that may her reach.
Ivy is green, with colours bright,
Of all trees best she is,
And that I prove will now be right.
Ivy beareth berries black,
God grant us all his bliss,
For there shall be nothing lack.'
The
decorations remain in the churches from Christmas til
the end of January, but in accordance with the
ecclesiastical canons, they must all be cleared away
before the 2
nd of February or
Candlemas day. The same
holds good as a custom with regard to private
dwellings, superstition in both cases rendering it a
fatal presage, if any of these sylvan ornaments are
retained beyond the period just indicated. Herrick
thus alludes to the popular prejudice.
Down
with the rosemary, and so
Down with the bales and mistletoe;
Down with the holly, ivie, all
Wherewith ye drest the Christmas hall;
That so the superstitious find
No one least branch there left behind;
For look, how many leaves there be
Neglected there, maids trust to me,
So many goblins you shall see.'
Aubrey
informs us that in several parts of Oxford-shire, it
was the custom for the maid-servant to ask the man for
ivy to decorate the house; and if he refused or
neglected to fetch in a supply, the maids stole a pair
of his breeches, and nailed them up to the gate in the
yard or highway. A similar usage prevailed in other
places, when the refusal to comply with such a request
incurred the penalty of being debarred from the
well known privileges of the mistletoe.
OLD ENGLISH
CHRISTMAS FARE
The
'brave days of old' were, if rude and unrefined, at
least distinguished by a hearty and profuse
hospitality.
During the Christmas holidays, open house was kept by
the barons and knights, and for a fortnight and
upwards, nothing was heard of but revelry and
feasting. The grand feast, however, given by the
feudal chieftain to his friends and retainers, took
place with great pomp and circumstance on
Christmas day.
Among the dishes served up on this important occasion,
the boar's head was first at the feast and foremost on
the board. Heralded by a jubilant flourish of
trumpets, and accompanied by strains of merry
minstrelsy, it was carried�on a dish of gold or
silver, no meaner metal would suffice�into the
banqueting hall by the sewer; who, as he advanced at
the head of the stately procession of nobles, knights,
and ladies, sang:
'Caput
apri defero,
Reddens Laudes Domino.
The boar's head
in hand bring I
With garlands gay and rosemary;
I pray you all sing merrily,
Quid estis in convivio.
The boar's head,
I understand,
Is the chief service in this land;
Look wherever it be found,
Service cum cantico.
Be glad, both
more and less,
For this hath ordained our steward.,
To cheer you all this Christmas
The boar's head and mustard!
Caput apri defero,
Reddens laudes Domino.'
The
brawner's head was then placed upon the table with a
solemn gravity befitting the dignity of such a noble
dish:
'Sweet
rosemary and bays around it spread;
His foaming tusks with some large pippin graced,
Or midst those thundering spears an orange placed,
Sauce, like himself, offensive to its foes,
The roguish mustard, dangerous to the nose.'
The
latter condiment was indispensable. An old book of
instruction for the proper service of the royal table
says emphatically:
'First set forth mustard with
brawn; take your knife in your hand, and cut brawn in
the dish as it lieth, and lay on your sovereign's
trencher, and see there be mustard.'
When Christmas, in the
time of the Commonwealth, was threatened with
extinction by act of parliament, the tallow chandlers
loudly complained that they could find no sale for
their mustard, because of the diminished consumption
of brawn in the land. Parliament failed to put down
Christmas, but the boar's head never recovered its old
supremacy at the table. Still, its memory was
cherished in some nooks and corners of Old England
long after it had ceased to rule the roast. The lessee
of the tithes of Horn Church, Essex, had, every
Christmas, to provide a boar's head, which, after
being dressed and garnished with bay, was wrestled for
in a field adjoining the church. The custom of serving
up the ancient dish at Queen's College, Oxford, to a
variation of the old carol, sprung, according to the
university legend, from a valorous act on the part of
a student of the college in question. While walking in
Shot over forest, studying his Aristotle, he was
suddenly made aware of the presence of a wild boar, by
the animal rushing at him open-mouthed. With great
presence of mind, and the exclamation, 'Greacum est,'
the collegian thrust the philosopher's ethics down his
assailant's throat, and having choked the savage with
the sage, went on his way rejoicing.
The
Lord Jersey of the Walpolian
era was a great lover of the quondam Christmas
favourite, and also�according to her own account�of
Miss Ford, the lady whom Whitehead and Lord
Holdernesse thought so admirably adapted for Gray's
friend, Mason, 'being excellent in singing, loving
solitude, and full of immeasurable affectations. 'Lord
Jersey sent Miss Ford a boar's head, a strange first
present, at which the lady laughed, saying she 'had
often had the honour of meeting it at his lordship's
table, and would have ate it had it been eatable! 'Her
noble admirer resented the scornful insinuation, and
indignantly replied, that the head in question was not
the one the lady had seen so often, but one perfectly
fresh and sweet, having been taken out of the pickle
that very morning; and not content with defending his
head, Lord Jersey revenged himself by denying that his
heart had ever been susceptible of the charms of the
fair epicure.
Next in importance to
the boar's head as a Christmas dish came the peacock.
To prepare Argus for the table was a task entailing no
little trouble. The skin was first carefully stripped
off, with the plumage adhering; the bird was then
roasted; when done and partially cooled, it was sewed
up again in its feathers, its beak gilt, and so sent
to table. Sometimes the whole body was covered with
leaf-gold, and a piece of cotton, saturated with
spirits, placed in its beak, and lighted before the
carver commenced operations. This 'food for lovers and
meat for lords' was stuffed with spices and sweet
herbs, basted with yolk of egg, and served with plenty
of gravy; on great occasions, as many as three fat wethers being bruised to make enough for a single
peacock.
The noble bird was not served by common hands; that
privilege was reserved for the lady guests most
distinguished by birth or beauty. One of them carried
it into the dining hall to the sound of music, the
rest of the ladies following in due order. The bearer
of the dish set it down before the master of the house
or his most honoured guest. After a tournament, the
victor in the lists was expected to shew his skill in
cutting up inferior animals. On such occasions,
however, the bird was usually served in a pie, at one
end of which his plumed crest appeared above the
crust, while at the other his tail was unfolded in all
its glory. Over this splendid dish did the
knights-errant swear to undertake any perilous
enterprise that came in their way, and succour lovely
woman in distress after the most approved chevalier
fashion. Hence Justice Shallow derived his oath of 'By
cock and pie!' The latest instance of peacock-eating
we can call to mind, is that of a dinner given to
William IV. when Duke of Clarence, by the governor of
Grenada; when his royal highness was astonished by the
appearance of the many hued bird, dressed in a manner
that would have delighted a medieval de or Sober.
Geese, capons, pheasants drenched with amber grease,
and pies of carps tongues, helped to furnish the table
in bygone Christmases, but there was one national
dish�neither flesh, fowl, nor good red herring�which
was held indispensable. This was furmante, frumenty or
furmety, concocted�according to the most ancient
formula extant�in this wise:
'Take clean wheat, and
bray it in a mortar, that the hulls be all gone off,
and seethe it till it burst, and take it up and let it
cool; and take clean fresh broth, and sweet milk of
almonds, or sweet milk of kine, and temper it all; and
take the yolks of eggs. Boil it a little, and set it
down and mess it forth with fat venison or fresh
mutton.'
Venison was seldom served without this
accompaniment, but furmety, sweetened with sugar, was
a favorite dish of itself, the 'clean broth' being
omitted when a lord was to be the partaker.
Mince-pies were popular under
the name of 'mutton-pies,' so early as 1596, later
authorities all agreeing in substituting neats-tongue
in the place of mutton, the remaining ingredients
being much the same as those recommended in modern
recipes. They were also known as shred and
Christmas pies:
'Without the door let
sorrow lie,
And if for cold it hap to die,
We'll bury it in a Christmas-pie,
And evermore be merry!'
In Herrick's time it was
customary to set a watch upon the pies, on the night
before Christmas, lest sweet-toothed thieves should
lay felonious fingers on them; the jovial vicar sings:
'Come guard the
Christmas-pie,
That the thief, though ne'er so sly,
With his flesh-hooks don't come nigh,
To catch it,
From him, who all alone sits there,
Having his eyes still in his ear,
And a deal of nightly fear,
To watch it.'
Selden tells us
mince pies were baked in a coffin-shaped crust,
intended to represent the cratch or manger in which
the Holy Child was laid; but we are inclined to doubt
his statement, as we find our old English
cookery books always style the crust of a pie 'the
coffin.'
When a lady asked
Dr. Parr on what day it was proper
to commence eating mince pies, he answered, 'Begin on
O. Sapientia (December 16th), but please to say
Christmas pie, not mince pie; mince pie is
puritanical. 'The doctor was wrong at least on the
last of these points, if not on both. The Christmas
festival, it is maintained by many, does not commence
before Christmas Eve, and the mince pie was known
before the days of Praise-God Barebones and his
strait-laced brethren, for
Ben Jonson personifies it
under that name in his Masque of Christmas. Likely
enough, the name of 'Christmas pie' was obnoxious to
puritanical ears, as the enjoying of the dainty itself
at that particular season was offensive to puritan
taste:
'All plums the prophet's sons deny,
And spice-broths are too hot;
Treason's in a December-pie,
And death within the pot.'
Or, as another rhymster
has it:
'The high-shoe lords of
Cromwell's making
Were not for dainties�roasting, baking;
The chief est food they found most good in,
Was rusty bacon and bag-pudding;
Plum-broth was popish, and mince-pie�
O that was flat idolatry!'
In aftertimes, the
Quakers took up the prejudice, and some church-going
folks even thought it was not meet for clergymen to
enjoy the delicacy, a notion which called forth the
following remonstrance from Bickerstaffe.�'The
Christmas pie is, in its own nature, a kind of
consecrated cake, and a badge of distinction; and yet
it is often forbidden, the Druid of the family.
Strange that a sirloin of beef, whether boiled or
roasted, when entire is exposed to the utmost
depredations and invasions; but if minced into small
pieces, and tossed up with plumbs and sugar, it
changes its property, and forsooth is meat for his
master.'
Mortifying as Lord Macartney's great plum pudding
failure may have been to the diplomatist, he might
have consoled himself by remembering that
plum porridge was the progenitor of the pride and
glory of an English Christmas. In old times,
plum pottage was always served with the first course
of a Christmas dinner. It was made by boiling beef or
mutton with broth, thickened with brown bread; when
half boiled, raisins, currants, prunes, cloves, mace
and ginger were added, and when the mess had been
thoroughly boiled, it was sent to table with the best
meats. Sir. Roger de
Coverley thought there was some hope of a
dissenter, when he saw him enjoy his porridge at the
hall on Christmas day. Plum broth figures in Poor
Robin's Almanac for 1750, among the items of
Christmas fare, and Mrs. Frazer, 'sole teacher of the
art of cookery in Edinburgh, and several years
'colleague, and afterwards successor to Mrs. M'Iver,'
who published a cookery book in 1791, thought it
necessary to include plum pottage among her soups.
Brand partook of a tureenful of 'luscious
plum porridge' at the table of the royal chaplain in
1801, but that is the latest appearance of this once
indispensable dish of which we have any record.
As to plum pudding, we are
thoroughly at fault. Rabisha gives a recipe in his
Whole Body of Cookery Dissected (1675), for a
pudding to be boiled in a basin, which bears a great
resemblance to our modern Christmas favorite, but does
not include it in his bills of fare for winter,
although 'a dish of stewed broth, if at Christmas,'
figures therein. It shared honours with the porridge
in Addison's time, however, for the Tatter tells us:
'No man of the most rigid virtue gives offence by an
excess in plum pudding or plum porridge, because they are the first parts of the dinner;' but the Mrs. Frazer
above mentioned is the earliest culinary authority we find describing its concoction, at least under the name of
'plum pudding.'
While Christmas, as far as eating was concerned,
always had its specialties, its liquor carte
was unlimited. A carolist of the thirteenth century
sings (we follow Douce's literal translation):
Lordlings, Christmas
loves good drinking,
Wines of Gascoigne, France, Anjou,
English ale that drives out thinking,
Prince of liquors, old or new.
Every neighbour shares the bowl,
Drinks of the spicy liquor deep;
Drinks his fill without control,
Till he drowns his care in sleep.'
And to attain that end
every exhilarating liquor was pressed into service by
our ancestors.
Part 3 of Dec 25th
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